Kong: Skull Island
2017 · Jordan Vogt-RobertsA war film that wandered onto a monster island.
A critic, a video essayist or a repertory programmer picks a film, sets a showtime, and writes notes pinned to moments in the runtime.
You reserve a seat on the web and attend in the app. One seat costs $2.99.
At showtime you press play on your own copy of the film, on whatever service you already pay for, and the room starts with you.
The film plays on your TV. Your phone carries everything else: the programmer’s notes, the host’s cues and a room full of people watching the same scene.
Before the night, the programmer pins Liner Notes to moments in the runtime. Each one reaches your phone as that scene plays.
The programmer starts the film, pauses it and calls intermissions for everyone at once.
Live chat runs beside the notes, and the programmer can put a poll to the room.
Pair the app with your TV and it works like a universal remote. When the host pauses, your TV pauses.
Take a break or sit through an ad. Projector tracks how far behind the room you are, so notes and chat reach you at your own point in the film.
You have people who follow your taste and no way to turn that into a live evening with an income. Pick a film, set a showtime and sell seats at $2.99.
Pin Liner Notes to film time in your run of show. Each one fires for every viewer at the second you chose.
Run the whole night against the clock on your own, and fix the note that lands a beat late.
Start the film, pause it and call intermissions for everyone at once. Put a poll to the room when the argument starts.
Projector keeps every viewer in step, ad breaks included, and runs the chat. You never touch a stream or a rights deal.
New releases, art house and the classics, on the service you already pay for. If you can stream it, a programmer can host it. Projector never plays the film itself.
A war film that wandered onto a monster island.
Cannes gave it the Palme d’Or. Come argue about why.
Coppola shot the effects in camera, like it’s 1897.
Example nights, to show the range. None of these screenings are on sale.
A critic, a video essayist, a repertory programmer, a podcaster or a pop-culture personality. You follow them already; now you can spend an evening with them.
Leave your email and we’ll tell you when the first screenings open.
We’ll only use your email to tell you about Projector’s launch, and you can unsubscribe from any email we send. The form is hosted by Airtable. Read the privacy notice.